The Prelude from Faust by Charles Gounod serves as the orchestral introduction to his 1859 opera, setting the tone for the dramatic and supernatural themes of the story. The opera, based on Goethe’s Faust, follows the tale of a scholar who makes a pact with Mephistopheles, exchanging his soul for youth and pleasure.
The Prelude is characterized by its dark, foreboding atmosphere, leading into the opera’s opening scene. It establishes the tension between Faust’s despair and the temptation of Mephistopheles, using rich harmonies and expressive orchestration.
Anthony Galla-Rini arranged this work for: accordions 1-6, bass and timpani.
